Fine Art Prints
Is my print Fine Art?
Yes. Your Jo Burt Art print is a high-quality art reproduction, produced specifically to preserve the detail, colour and character of the original artwork.
I use professional high-resolution giclée printing, with a 200gsm Enhanced Matte paper selected for its beautiful, understated finish and ability to reproduce artwork with clarity and depth. The matte surface minimises distracting glare and gives the print a sophisticated, gallery-style appearance.
My artwork files are professionally prepared for reproduction, drawing on my background as a graphic designer with extensive experience in colour, image preparation and print production. This means your print isn't simply a digital image printed onto ordinary poster paper. Considerable care goes into preparing the artwork for its final physical form.
The paper is FSC-certified and acid-free, using high-quality, fade-resistant printing technology for its art prints. This gives you a substantial, quality print designed to be enjoyed for many years when displayed and cared for appropriately.
What does 'fine art print' mean?
The term 'fine art print' describes a reproduction made with a focus on quality, accurate reproduction and longevity, rather than a mass-produced commercial poster.
There are many different papers and printing processes used under the broad description of 'fine art print'. Not every fine art print needs to be printed on cotton rag paper to be a beautiful, high-quality artwork. For Jo Burt Art, I have chosen Enhanced Matte paper because its smooth, non-reflective surface compliments my work particularly well. It provides a substantial 200gsm stock with a refined finish that allows the artwork itself to remain the focus.
Can I buy a ready-made frame for my print?
Yes. I deliberately selected standard paper sizes for my prints so that they can be placed straight into readily available frames.
When you open a product listing, you'll see two measurements:
Artwork size: the size of the actual printed artwork.
Paper size: the full size of the sheet, including any border around the artwork.
The paper size is the measurement you should use when choosing your frame. I've selected standard sizes that are commonly available online and in framing, homewares and department stores, making it possible to frame your artwork without the expense of having a frame custom-made.
This gives you the flexibility to choose a simple ready-made frame that suits your budget, or work with a professional framer to create something more tailored to your home.
Do I need a professional framer?
Not necessarily. If your print is a standard size, you can purchase a ready-made frame and have it fitted yourself.
However, I recommend visiting a professional framer if you'd like the best possible presentation. A framer can help you choose the frame, mount or mat, glazing and finish to complement both the artwork and your space.
They can also ensure the print is correctly mounted and protected.
What type of glass should I use?
The choice is yours, but the quality of the framing materials can make a difference to the long-term protection of your print.
Standard clear glazing provides basic protection, while UV-filtering glazing can help reduce the effects of ultraviolet light that contribute to fading and deterioration.
If you're investing in a special piece or displaying your artwork somewhere that receives significant natural light, it's worth discussing UV-protective glazing with your framer.
For the best presentation and protection, ask your framer about the available options for UV protection, anti-reflective glazing and conservation-quality mounting materials.
Why did you choose standard sizes?
Because I want owning art to be accessible.
Custom framing can be beautiful, but it can also add considerably to the cost of an artwork. By designing my print range around standard paper and frame sizes, you have the option of creating a beautiful finished piece without necessarily having to pay for a custom frame.
The artwork is ready to frame, you simply choose how you'd like to finish it.
Read the article: How to frame your Jo Burt Art print
What is a giclée print?
A giclée print is a high-quality fine art reproduction made using a sophisticated inkjet printing process designed to reproduce artwork with exceptional detail, tonal range and colour accuracy.
The term giclée comes from the French word gicler, meaning 'to spray', referring to the way tiny droplets of ink are precisely deposited onto the printing surface.
Giclée printing is commonly used by artists, photographers and galleries to create high-quality reproductions of original artworks. The result can be significantly more detailed and nuanced than a conventional commercial poster print.
Not all fine art prints are giclée prints, however. The quality of a print depends on the combination of the artwork file, printing technology, inks, paper and preparation of the artwork for reproduction.
Jo Burt Art prints are professionally prepared from high-resolution artwork files and printed on quality art paper selected to complement the original work. My background in professional graphic design and print production means I take particular care with colour, resolution and reproduction so that the printed artwork retains the character and detail of the original.
If you'd like to understand more about what makes a high-quality art reproduction, read Giclée Explained: What Actually Makes a Fine Art Print?
Are your prints made using pigment inks?
Yes. Jo Burt Art fine art prints are produced using pigment-based inks through Gelato's fine art printing process.
Gelato's fine art printing uses a 12-colour printing system with pigment-based, fade-resistant inks, allowing a broad colour range and fine tonal transitions. This is particularly important when reproducing paintings and detailed artwork, where subtle differences in colour and tone matter.
My prints are produced on 200gsm Enhanced Matte paper, a substantial, smooth matte paper selected for its clean, understated finish and ability to reproduce artwork with detail and colour depth. The paper is FSC-certified and acid-free.
I also prepare my artwork files professionally for reproduction, drawing on my background in graphic design and print production. This means I pay close attention to resolution, colour and the way the original artwork translates into a physical print.
The result is a high-quality art reproduction, not a standard photographic or poster print.
For the best long-term protection, I recommend framing your print and considering UV-protective glazing, particularly if it will be displayed in a bright room or near direct sunlight.
Why can colours look different on screen?
A screen and a physical artwork produce colour in completely different ways, so the image you see on your monitor or phone can never be an exact representation of the original painting or a printed artwork.
Your screen emits light using red, green and blue (RGB), while a painting or print reflects light from its surface. Different screens, lighting conditions, colour settings and display technologies can also affect how an image appears.
This means you may notice subtle differences between the artwork shown on your screen and the physical artwork you receive. Colours may appear slightly warmer or cooler, and the brightness, contrast or saturation can vary.
I take care when preparing my artwork for reproduction, using my professional background in graphic design and print production to manage colour and image preparation as accurately as possible. However, no screen can perfectly reproduce the appearance of a physical painting or print.
The physical artwork also has something a screen cannot replicate: the way light interacts with the actual paint, paper and surface.
For this reason, the images on Jo Burt Art are intended to give you the best possible representation of the artwork, while allowing for the natural differences between viewing art digitally and experiencing it in person.
Can I hang my print in direct sunlight?
You can, but direct sunlight is best avoided if you want to protect your print for as long as possible.
All printed artwork is affected by prolonged exposure to light, and direct sunlight contains ultraviolet (UV) radiation that can contribute to fading and deterioration over time.
If your artwork will be displayed in a bright room, try to position it away from strong, direct sunlight where possible. Using UV-filtering glass or acrylic when framing can provide additional protection against UV exposure.
For the best long-term protection, I recommend having your print professionally framed and asking your framer about UV-protective glazing and conservation-quality materials.
You don't need to keep your artwork in a dark room, though. Enjoy it! Just be mindful of placing it directly in the path of strong sunlight for extended periods.
Original Artworks
How is my original artwork packaged and delivered?
Your original artwork is personally prepared and carefully packaged by me before it makes its way to you.
Because every original artwork is unique, I prefer to arrange delivery individually rather than applying a standard shipping rate to every piece. This allows me to consider the artwork's size, framing, destination and the safest method of transport.
Local buyers / South East Queensland, Australia): Where practical, I may be able to hand-deliver your artwork personally.
Other locations: I'll provide a delivery quote before your purchase is finalised, so you know the shipping cost and arrangements in advance.
For larger, particularly delicate or framed works, I'll discuss the most appropriate delivery option with you before proceeding.
My priority is that your artwork arrives safely and in the same condition it left the studio.
Does my original artwork come with a Certificate of Authenticity?
Yes. Every original Jo Burt Art painting comes with a Certificate of Authenticity.
The certificate confirms the artwork's authenticity and provides important details about the piece, including the title, artist, date and other relevant artwork information.
Your original artwork is also signed by me.
I believe provenance is an important part of owning an original artwork. The Certificate of Authenticity provides a permanent record of the work and can be kept with the painting for future reference or if the artwork is ever passed on to another collector.
Your artwork isn't simply a picture for your wall, it is an original, one-of-a-kind work by the artist.
How do I care for an original oil painting?
Original oil paintings are designed to be enjoyed for many years, and caring for your artwork is relatively simple.
Keep your painting away from prolonged direct sunlight, excessive humidity and significant changes in temperature. Avoid hanging it directly above a heater or in areas with high moisture.
To gently remove surface dust, use a clean, very soft, dry artist's brush and lightly brush across the surface. Avoid using cleaning products, oils, solvents or a damp cloth on the painted surface.
For the best long-term protection, consider having your artwork professionally framed and displayed somewhere with stable indoor conditions and indirect light.
Most importantly, enjoy your artwork. A painting is made to be lived with, and a little thoughtful care will help you enjoy it for years to come.
How do I clean an original oil painting on stretched canvas?
Original oil paintings should be handled with care. For routine dust, I recommend keeping cleaning very gentle and avoiding liquids or cleaning products altogether.
You can carefully remove loose surface dust using a very soft, clean, dry artist's brush, working lightly across the surface. A soft natural-hair brush is preferable to anything stiff or abrasive.
Avoid using:
Glass or household cleaning products
Soap or detergents
Oils or furniture polish
Alcohol or solvents
Baby wipes or other cleaning wipes
Paper towels or abrasive cloths
These can damage the paint surface, alter the varnish or cause permanent changes to the artwork.
If your painting has significant dirt, mould, or other damage, don't attempt to clean it yourself. Professional painting conservation involves assessing the paint, varnish and canvas before deciding how the surface can safely be treated.
For an original Jo Burt Art painting, I recommend contacting me if you're unsure about caring for the work. I'm happy help you find the safest approach.